'In its glory, in the very beautiful Otter valley', this Elizabethan manor house is the fifth member of Robin Hutson’s Pig family.

Perfect peace reigns at this friendly hotel in at the end of a quarter-mile drive, in a densely wooded river valley at the western edge of Exmoor national park.

‘We did 14 miles over the moor today and are now pleasantly weary. It is a great place, very sad and wild,’ reads a letter – not from a Guide reader, but from Arthur Conan Doyle, said to have been inspired to write The Hound of the Baskervilles while staying at this 18th-century manor house.

In a peaceful valley, Richard Johnston’s quirky B&B is ‘a blend of rural escape and aristocratic eccentricity’.

‘Old-fashioned in style and lovely for it.’ Returning guests this year were pleased to discover that Peter Wharton’s ‘splendid’ hotel overlooking Lyme Bay ‘sails gracefully on, without feeling the need to change things for the sake of change’.

‘Completely wonderful in every way.’ ‘One of our absolute favourites.’ Readers give the thumbs-up to Richard Seton’s spa hotel overlooking the River Dart.

A Regency cottage-orné, built by Jeffry Wyatville as a fishing lodge for Georgiana, Duchess of Bedford, is run today in characteristic relaxed-chic style by Olga Polizzi (see also Tresanton, St Mawes).

In the rolling South Hams countryside, Richard Hendey’s Georgian rectory turned small hotel is ‘a delightful place to stay, peaceful and friendly’. Interiors are smart and contemporary.

On the edge of Dartmoor National Park, with views to granite Haytor, the Hassell family’s hotel is ‘a little off the beaten tracks – but worth finding’.

In an ‘absolutely beautiful position’ overlooking Start Bay, Rachel and Nigel Heath’s 19th-century village fisherman’s inn is ‘a relaxing place to stay’, writes a trusted reader this year.

‘Tucked away at the end of the main street of this idyllic town, seconds from the water’s edge’, Charles Deuchar’s pub-with-rooms is a medieval merchant's house in a 17th-century shell.

For 120 years the Grose family have looked after this family-friendly’ hotel approached by lanes ‘resplendent with wild flowers’.

Deep in the Taw valley, Jean-Pierre Mifsud’s wisteria-hung 18th-century manor house is a characterful ‘high standard’ hideaway, surrounded by orchards and woodlands.

The Far East meets the South West at Stuart Litster and Kevin Hooper’s inviting B&B in a South Hams coastal village.

A relaxed atmosphere wafts through this white-painted 17th-century inn overlooking Torridge, estuary where dogs and muddy boots are welcomed.

‘No wonder Adam has such a loyal clientele,’ wrote a regular Guide reader after this year’s visit to the country sports hotel, a mere fly cast from Dartmoor.

It was all go at this whitewashed, 14th-century former cider house in Britain’s longest village, when a trusted reader arrived at 1 pm.

The tramway that once carried Dartmoor granite from the Stover Canal is no more, but this granite inn, built in 1820 along with quarry workers’ cottages, still thrives.

In sub-tropical gardens with views over Lyme Bay, the D’Allen family’s hotel occupies a grand Georgian manor house, once home to John Callcott Horsley, designer of the first Christmas card.

‘Blissfully old-fashioned’, this large, traditional hotel is steps from the sheltered bay that has attracted visitors since Victorian times.

Restored and refurbished by its owner, Claire Carter, this ‘lovely’ country house has a ‘luxurious, contemporary’ style and ‘friendly, welcoming staff who really make the place’.

This lively hotel, in a sheltered cove, is surrounded by a wide terrace which faces the beachl

Weird, wonderful, full of colour: Rinus and Aniet van de Sande’s well-liked, ‘quirky’, late-Victorian hotel receives praise for its confluence of art, culture and hospitality.

‘It was not only the view that made our stay, but the whole ambience,’ writers a Guide regular this year, of this Victorian hotel and spa on the Salcombe estuary.